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Ancient Greece
1. Ancient Greece
Make by: Sharipbek Nursat, Salimzhan Yedige, Kalugina Sofya.2.
1. New words2. Culture
3. Famous
personalities
4. Gods
5. Questions
6. Conclusion
3. New words.
1-chapter
Ancient-древний
Develiped-развитый
Millennia-тысячилетия
Social-общественный
Consciousness-сознание
Based-основываюшийся
Sensitive-чувствительный
Considered-продуманный
2-chapter
Extremely-очень сильно
Surviving-выживший
Describing-описание
Dozens-десятки
according-в соответствии
expression-выражение
significant-значительный
contemporaryсовременный
3-chapter
Settled- установившийся
Entrance- вход
Omnipotent- всемогущий
Actions- действия
Imagined- воображаемый
Divine- божественное
Entities- сущности
Originate- возникают
Law- закон
Order- порядок
Justice- справедливость
Gained- приобрел
4. Culture.
The culture of ansient Geece developed overmillenna, starting with the Gay civilization.
Morphology is a from of social consciousness.
In the mind of the morphological culture of
ancient Greece is based on material sensitive
cosmologism. The Morphology of the ancient
Greeks in considered as an archetyral basis and
culture
5.
Famous personalities.Herodotus is an ancient Greek historian, according to the popular
expression of Cicero, "the father of history" - the author of the
first surviving significant treatise "History", describing the GrecoPersian wars and the customs of many contemporary peoples.
The works of Herodotus were of great importance for ancient
culture. The works of Herodotus are extremely important sources
on the history of Great Scythia, including dozens of ancient
peoples on the territory of modern Ukraine, Russia and
Kazakhstan.
6. Olympus is a mountain in Greece, where the ancient Greek gods settled. There are different palaces on it, built by Hephaestus
specifically for each of the gods. There are golden gates at the entrance, whichare guarded by ors. The gods of Olympus are immortal, but they are not omnipotent and their actions
often resemble people.
The ancient Greek divine world cannot be imagined without its main characters — the gods
of Olympus. This is not the first generation of divine entities in the view of the ancient
Greeks. The gods did not originate by themselves. They had a Mother Earth and a Father Sky,
who gave birth to Titans. There were 12 different gods. All 12 Greek gods were related to
each other.
7. King of the gods, ruler of Mount Olympus, and god of the sky, weather, thunder, lightning, law, order, and justice. He is the
youngest son of Cronus and Rhea. Heoverthrew Cronus and gained the
sovereignty of heaven for himself. In art
he is depicted as a regal, mature man
with a sturdy figure and dark beard. His
usual attributes are the royal scepter and
the lightning bolt. His sacred animals
include the eagle and the bull.
Poseidon. God of the sea, rivers, floods,
droughts, and earthquakes. He is a son of
Cronus and Rhea, and the brother of Zeus
and Hades. He rules one of the three realms
of the universe, as king of the sea and the
waters. In art he is depicted as a mature
man of sturdy build, often with a luxuriant
beard, and holding a trident. His sacred
animals include the horse and the dolphin.
Hades. King of the underworld and the
dead. He is also a god of wealth. His
attributes are the drinking horn or
cornucopia, key, sceptre, and the threeheaded dog Cerberus. He was one of
three sons of Cronus and Rhea, and thus
sovereign over one of the three realms of
the universe, the underworld. In the
mystery religions and Athenian literature,
Plouton ("the Rich one").
8.
QuestionsWho is Herodotus?
Where did the ancient gods settle?
How many gods were There?
Who is got of seas, rives and floods?
Who is Hadies?
What is Morphology?
9.
The cultural development of the ancient Greek civilization hasno analogues among other peoples. For several centuries, it
was possible to achieve amazing achievements at that time in
the scientific fields and areas of artistic culture.
Literature is marked by the transition of mythological forms of
folk art and heroic epos to real novels and philosophical
dialogue, poetry, historiography